Model: Josh Johnson Photo: rSEANd Photography
Back when he's just 14, his sister was approached by a modeling scout, unfortunately his sister wasn't allowed to further venture into the field because of some of his mom's fears regarding the industry, he understood his mom's protectiveness, he stepped in. Armed with his mom's Pentax, he told his sister that he will be her photographer. Even though at that time, he's totally clueless on Photography and basically he doesn't know where to start, but his love for his sister shines through and fueled a new passion. He's NEXT. Premiering in the Blogosphere's Most Admired Modeling Blogazine, NEXT Hottest Model, we proudly welcome rSEANd Photography.
Robert Sean Dibble is the Hottest Photographer at NEXT Hottest Model.
Always Exciting. Always NEXT.
Model: Diego Moran Photo: rSEANd Photography
"I have never been able to accurately describe my style, and there are times when I was not sure I even had one. I have learned from others, both photographers and models, that there is something distinct about my images that make my work recognizable. The only way I can define my style is to say that it's more honest and less fantasy based than some of the work I see. I don't have a studio, expensive lighting, a make-up artist or a photo budget. It's just me, my camera and my imagination."
Model: A. Lewis and Diego Moran Photo: rSEANd Photography
"The first thing I do is establish some form of communication before the actual shoot. I like to bring forth a bit of their personality in my images and I can not accomplish this without having some idea of who they are. It also gives me a chance to discover what types of shots they are most comfortable or uncomfortable with. A dialog and open communication throughout is also helpful, as well as asking for their opinion on shots, or allowing the model to make revisions on an idea to improve the result. During the shoot, I offer continuous praise and guidance, but I do not teach. If a direction is not understood, or is not generating the results I seek, then I rephrase until something clicks. Most important is paying attention to my model. There are going to be those times when they just are not capable of giving what is needed, at that moment. The why is not as important as moving on to the next thing. It is not worth ruining an entire shoot for one particular shot. We can always go back and try again later or on another day."
Model: Nova Photo: rSEANd Photography
"Just One word? Wow, that's hard. There's no way that I could possibly mention every one of the photographers I admire, but here are a few: Richard Avedon - classic David LaChappelle / Justin Monroe / Alfred J Barrera- genius Lalli / Henning V. Berg - sensual Sandro Boss - captivating Kingdom 19 - erotic LewisArt&Photo - timeless Terry Richardson / Roy Stuart - fearless Tony Gibble - evolving Justin Thai - beautiful Murray! - fresh Kurt R. Brown / Gary Xu - amazing Adam Bouska / Steven D Hill / David Vance- definitive Flesh and Color - brilliant John Healy / Rundu - innovative Voyeur NYC - heat Carlos Arias - engaging Zedneram / Gregory Prescott Photo - bold Kristopher Kelly / Shinobi Photography / YwhyYwhyY - unique Luis Rafael Photography - outstanding Jay Rickard - thought provoking Charles Archer - real"
Model: A Lewis Photo: rSEANd Photography
"I had three loves in my life: writing, music and photography. I always wanted to write a novel, but despite the fact that I was considered great at the craft, I could never master the discipline necessary to actually finish a book. The writing later evolved towards poetry, which in turn morphed into prose and songs. I eventually met a boy named Coby Koehl, who was studying music at Duke Ellington, in Washington, DC, and he remains one of the most gifted male singers I have ever heard. We started working together, recording the songs I wrote on a little 4-track, which pushed music to the top of my love list. Twenty years later and he is still singing my songs in New York City, and has remained one of the most important people in my life. He is my best friend and a part of my family. Photography was always a part of everything, but my insecurities kept it on the back burner until about five years ago."
Model: NarcissisticHate Photo: rSEANd Photography
"Rejection, for all it's unpleasantness, is just a part of life. It is unrealistic to believe that everything we are or do will have universal appeal. Knowing this may not take the pain out of it, but it can lessen the sting. If the rejection I face is of a personal nature, I have my small moment like the next person, but I have learned to quickly reassess and understand that I don't fit what the other person is looking for. It stands to reason that since I have to on the side of being the person doing the rejecting, that I will also, at some point, be the rejected. If it is a professional rejection, the same theory holds true. Perhaps I don't have the skills, ideas, or capability to produce the desired results. I deal with stress and pressure in the worst possible way, which is to say that I internalize it. It is rare that people will visually see that I'm experiencing either. I've been known to bitch about a few things here and there, but it's rarely about what stresses me or the pressure I am feeling. I tend to keep that to myself or vent to my best friend."
Model: Diego Moran Photo: rSEANd Photography
"I believe this actually happens quite a bit, and being a photographer, I've been approached by many guys who are asking the same question. My response is generally the same. The first thing I ask is what type of model they want to be; fashion, print, runway, fitness, artistic nude, lifestyle, erotic, commercial, etc. Invariably, they all want to be a male Super Model or the next Abercrombie boy. If this is the case, I suggest that they take a realistic look at what is out there and honestly compare themselves to what is marketable. I believe it takes more than just a look to be a Super Model - there has to be that certain "extra", that is often undefinable. If there is another type of modeling that they are interested in, I always tell them to do their research so there are no surprises about what might be involved. For example, do not aspire to be a fitness or body model if you are uncomfortable being shot in skimpy underwear or nude. I would talk about professionalism, commitment, hard work, and the ability to handle rejection. What I would not do is discourage, as I believe there is a market for everything, even if you only end up shooting for photographer portfolios or book projects. But even then, I would advise that their aspirations be realistic and attainable."
Model: Kunal Photo: rSEANd Photography
"My view of sexiness or sex appeal is probably unconventional and definitely flexible. There are times when a person's attitude or carriage, such as confidence, can be very appealing, providing that it does not cross over into conceit. At the same time, a sense of vulnerability in someone who is obviously blessed with good looks or physicality is also very sexy to me because it highlights humility. There are certain physical attributes that I find exceptionally appealing, most notably well defined calves, a round buttocks, and full lips, but the main physical feature for me would be the eyes, which is evident in my photos. I can admire the super physique , like any other person, and there is no denying what musculature can offer when doing a shoot, but it is not what I find personally appealing. I also believe that there are individuals who are not necessarily attractive, yet they exude sex appeal, and some individuals who are beautiful but generate no sexual chemistry."
Model: A. Lewis/ Diego Moran Photo: rSEANd Photography
"I actually received a letter on Model Mayhem from a 17 year old aspiring male model who saw a series I did of two male models depicted in a romantic relationship. He wrote about how he did not have any role models and an experience where a photographer he was scheduled to work with discovered his sexuality and then refused to shoot him. That can be a discouraging feeling for anyone when they are still figuring out who they are. I was flattered and quite moved by his comments and it inspired me to know that my work had resonated with someone in such a personal manner. The bulk of photos I take are initially for my own satisfaction and to feel the joy of bringing to life what existed only in my head. There are no words I can think of to accurately describe that feeling of having made a positive impact, no matter how big or small, in someone else's world."
Model: Nova Photo: rSEANd Photography
"The other aspect that defines my work is the model choices. I photograph males, almost exclusively now, and I am drawn to the "every day" beauty, as I call it. I am prejudiced in that I believe that every one of my subjects has their own beauty, but the common thread is that it is a look that is attainable. When I flip through a magazine and see these incredible male specimens, I know - as do many other viewers - that these guys are truly blessed, and that no amount of hard work will allow the majority of us to ever look like that. With my models, the viewer can admire, but also feel that they could actually know the person in the image, and even more so, possibly achieve that type of look. I am simplifying the thought process for the sake of explanation, but the feedback I receive suggests this to be the case, which in essence was my intended goal."
Model: Ricky Perez Photo: rSEANd Photography
"I believe in sensuality, so there are definitely erotic undertones in some of my work. The human body is work of art and I enjoy capturing it and seeing the results in a photo. Hopefully, some of those images can provide the springboard for another person's fantasies. Other than that, I feel there is a timeless quality about my work, also partly due to my subject choices. I'm more of a portrait photographer, rather than fashion, so my images are not dated by the clothing."
Model: NarcissisticHate Photo: rSEANd Photography
"I would assume that for every photographer this answer would be different. I am not sure if I could define, in words, how this decision is reached. For me, it's like falling in love - if someone were to ask, "When did you know?", I would not be able to answer in most cases. It was a point where you "just know". It is the same for me when shooting. I tend to divide shoots up by either location or outfit, or both. I have found that "the final shot" has generally occurred somewhere in the middle of a particular set. In the beginning, the model needs to get comfortable with what they are, or are not wearing, and then go through a series of poses that are nice, but not completely inspiring, until they are able to form a character, mood or feeling in their head. I also like to pay attention to be sure that the model has not lost interest in a particular set. Once they start feeling tired or bored, nothing else worth using will come and it's time to move on to something different."
Model: A. Lewis/ Diego Moran Photo: rSEANd Photography
"Best lesson that I learned from a model? I actually have to break this into two lessons: The first lesson is that art is a collaborative experience. No matter what concept or ideas may have initially shaped the photo shoot, it is important for the photographer to connect with the model and be open to their suggestions. A session is almost like a mini-relationship in that it can encompasses so many emotions in such a short period of time. My favorite word during the creative process is "emote", and I am asking my subjects to feel whatever it is that they are trying to convey through a pose or facial expression. In my opinion, this only works if some kind of bond is formed between photographer and model, even if that bond only lasts during the shoot. I do not think this can not happen effectively if both parties are not open to the others ideas. The second lesson - and in some way, more important for me - would be faith in my talent and that I have something to offer in this art form. On the surface, that may sound self-indulgent, but a lack of confidence has always kept me from advancing to the next level in my work. I wasted years comparing myself to individuals that I admired, rather than just being inspired by their incredible images. Diego Moran, who did his first shoot with me, allowed me to experiment with different styles or ideas and I found that each of us provided motivation and praise for the other. A deep friendship was born from our many sessions and he remains my favorite. My muse, so to speak. Another model who stands out for me is Nova, who has posed for dozens of photographers, a few of whom I counted as idols. Working with him was one of my most enjoyable experiences and his feedback increased my confidence."
Model: A. Lewis Photo: rSEANd Photography
"The overall package is a combination of many things; looks, style, confidence, presence, comfort level, body type, and the connection with the camera. But I think perseverance, dedication, commitment, adaptability, professionalism, thick skin, energy and hunger play significant roles."
Model: Diego Moran Photo: rSEANd Photography
Sean was asked a scenario question during his interview, how he would deal with the following models, smart but inexperienced, drop dead gorgeous but with inferiority complex and bowflex look but with attitude, Sean shares, "This may sound strange, but I would probably deal with each of them in the exact same manner. I believe that most actors and models have an underlying inferiority complex (hence the need for recognition), which puts them on the same level as the inexperienced model with borderline looks. I always felt that if someone was loaded with attitude or needed to boast about their looks, then it was merely a mask. In my experience, the people with the largest egos and worst attitudes were also the ones who were the least attractive, and would use their brains, money, position or power to intimidate others to achieve respect. Never mind the fact that few people actually respected them, for there is a difference between coveting what someone has and respecting them. I have met some truly astounding beauties in my time and almost all of them seemed to be riddled with insecurity. I don't think the average person realizes that beauty comes with it's own price, and that many of those who possess it have a hard time forming relationships, be it friendly or romantic, because their looks become the defining focus. To me, it is similar to being rich or famous in that you are not always sure if the people around you are there for the right reasons. In the end, regardless of who you are shooting, it is important to realize that you have the most control in the situation. You are ultimately responsible for the final result, and this includes motivating, encouraging, directing and critiquing. Borderline looks can be improved with make-up, lighting and retouching. Insecurity can be decreased through encouragement, communication and praise. By the same token, attitude and the failure to follow instructions can be handled with honesty. Brutal honesty, if necessary. The last situation would present the biggest challenge, because a person with attitude issue does not want to hear the truth. The only other option that has worked for me is to allow that person to feel as if they have retained control, while subtly manipulating the situation to get the shot you want from what they are giving you. It is not ideal, because it wastes energy and a barrier can form from the honest communication, but like any business, sometimes you do what you have to do. And then you spread the word, far and wide, that this model is to be avoided at ALL COSTS. (Just kidding.)" For Sean, it all started with Diana, his sister who opened the whole new world of Photography in his life, "My mother gave me my first camera (a Pentax), which belonged to her and said that I was going to be the family photographer from that point forward. The story that stands out for me revolves around my sister, Diana, who has always stood out from the crowd. She was a ballerina with an incredible body who still managed to have what I can only describe as ample cleavage. She was approached in high school by a model scout, but my mother was against the idea, fearing exploitation. As expected, my sister was upset about not being able to pursue modeling, so I picked up my camera and told her that I would be photographing her. I had absolutely no idea what I was doing at the time, but that didn't stop me from trying. I learned the basics from my many sessions with her. There is a poster of one of the earliest photos I ever took of her that still hangs in my bedroom as a reminder of how I started, and how far I've come." Sean had always been a city boy whose heart belongs to the wilderness. "I have always loved animals, especially birds, so my home is full of pets who are treated like family members." More random facts on Sean? "I'm supportive, loyal, compassionate and giving - at times to a fault. I'm not overly emotional when it comes to my own life, but I turn into a complete sap when I see others experiencing pain or disappointment."
Explore his Photography click rSEANd Photography. Click Portfolio, Mayhem and Model Coast
Model: Diego Moran Photo: rSEANd Photography
Model: Nova Photo: rSEANd Photography
"The other aspect that defines my work is the model choices. I photograph males, almost exclusively now, and I am drawn to the "every day" beauty, as I call it. I am prejudiced in that I believe that every one of my subjects has their own beauty, but the common thread is that it is a look that is attainable. When I flip through a magazine and see these incredible male specimens, I know - as do many other viewers - that these guys are truly blessed, and that no amount of hard work will allow the majority of us to ever look like that. With my models, the viewer can admire, but also feel that they could actually know the person in the image, and even more so, possibly achieve that type of look. I am simplifying the thought process for the sake of explanation, but the feedback I receive suggests this to be the case, which in essence was my intended goal."
Model: Ricky Perez Photo: rSEANd Photography
"I believe in sensuality, so there are definitely erotic undertones in some of my work. The human body is work of art and I enjoy capturing it and seeing the results in a photo. Hopefully, some of those images can provide the springboard for another person's fantasies. Other than that, I feel there is a timeless quality about my work, also partly due to my subject choices. I'm more of a portrait photographer, rather than fashion, so my images are not dated by the clothing."
Model: NarcissisticHate Photo: rSEANd Photography
"I would assume that for every photographer this answer would be different. I am not sure if I could define, in words, how this decision is reached. For me, it's like falling in love - if someone were to ask, "When did you know?", I would not be able to answer in most cases. It was a point where you "just know". It is the same for me when shooting. I tend to divide shoots up by either location or outfit, or both. I have found that "the final shot" has generally occurred somewhere in the middle of a particular set. In the beginning, the model needs to get comfortable with what they are, or are not wearing, and then go through a series of poses that are nice, but not completely inspiring, until they are able to form a character, mood or feeling in their head. I also like to pay attention to be sure that the model has not lost interest in a particular set. Once they start feeling tired or bored, nothing else worth using will come and it's time to move on to something different."
Model: A. Lewis/ Diego Moran Photo: rSEANd Photography
"Best lesson that I learned from a model? I actually have to break this into two lessons: The first lesson is that art is a collaborative experience. No matter what concept or ideas may have initially shaped the photo shoot, it is important for the photographer to connect with the model and be open to their suggestions. A session is almost like a mini-relationship in that it can encompasses so many emotions in such a short period of time. My favorite word during the creative process is "emote", and I am asking my subjects to feel whatever it is that they are trying to convey through a pose or facial expression. In my opinion, this only works if some kind of bond is formed between photographer and model, even if that bond only lasts during the shoot. I do not think this can not happen effectively if both parties are not open to the others ideas. The second lesson - and in some way, more important for me - would be faith in my talent and that I have something to offer in this art form. On the surface, that may sound self-indulgent, but a lack of confidence has always kept me from advancing to the next level in my work. I wasted years comparing myself to individuals that I admired, rather than just being inspired by their incredible images. Diego Moran, who did his first shoot with me, allowed me to experiment with different styles or ideas and I found that each of us provided motivation and praise for the other. A deep friendship was born from our many sessions and he remains my favorite. My muse, so to speak. Another model who stands out for me is Nova, who has posed for dozens of photographers, a few of whom I counted as idols. Working with him was one of my most enjoyable experiences and his feedback increased my confidence."
Model: A. Lewis Photo: rSEANd Photography
"The overall package is a combination of many things; looks, style, confidence, presence, comfort level, body type, and the connection with the camera. But I think perseverance, dedication, commitment, adaptability, professionalism, thick skin, energy and hunger play significant roles."
Model: Diego Moran Photo: rSEANd Photography
Sean was asked a scenario question during his interview, how he would deal with the following models, smart but inexperienced, drop dead gorgeous but with inferiority complex and bowflex look but with attitude, Sean shares, "This may sound strange, but I would probably deal with each of them in the exact same manner. I believe that most actors and models have an underlying inferiority complex (hence the need for recognition), which puts them on the same level as the inexperienced model with borderline looks. I always felt that if someone was loaded with attitude or needed to boast about their looks, then it was merely a mask. In my experience, the people with the largest egos and worst attitudes were also the ones who were the least attractive, and would use their brains, money, position or power to intimidate others to achieve respect. Never mind the fact that few people actually respected them, for there is a difference between coveting what someone has and respecting them. I have met some truly astounding beauties in my time and almost all of them seemed to be riddled with insecurity. I don't think the average person realizes that beauty comes with it's own price, and that many of those who possess it have a hard time forming relationships, be it friendly or romantic, because their looks become the defining focus. To me, it is similar to being rich or famous in that you are not always sure if the people around you are there for the right reasons. In the end, regardless of who you are shooting, it is important to realize that you have the most control in the situation. You are ultimately responsible for the final result, and this includes motivating, encouraging, directing and critiquing. Borderline looks can be improved with make-up, lighting and retouching. Insecurity can be decreased through encouragement, communication and praise. By the same token, attitude and the failure to follow instructions can be handled with honesty. Brutal honesty, if necessary. The last situation would present the biggest challenge, because a person with attitude issue does not want to hear the truth. The only other option that has worked for me is to allow that person to feel as if they have retained control, while subtly manipulating the situation to get the shot you want from what they are giving you. It is not ideal, because it wastes energy and a barrier can form from the honest communication, but like any business, sometimes you do what you have to do. And then you spread the word, far and wide, that this model is to be avoided at ALL COSTS. (Just kidding.)" For Sean, it all started with Diana, his sister who opened the whole new world of Photography in his life, "My mother gave me my first camera (a Pentax), which belonged to her and said that I was going to be the family photographer from that point forward. The story that stands out for me revolves around my sister, Diana, who has always stood out from the crowd. She was a ballerina with an incredible body who still managed to have what I can only describe as ample cleavage. She was approached in high school by a model scout, but my mother was against the idea, fearing exploitation. As expected, my sister was upset about not being able to pursue modeling, so I picked up my camera and told her that I would be photographing her. I had absolutely no idea what I was doing at the time, but that didn't stop me from trying. I learned the basics from my many sessions with her. There is a poster of one of the earliest photos I ever took of her that still hangs in my bedroom as a reminder of how I started, and how far I've come." Sean had always been a city boy whose heart belongs to the wilderness. "I have always loved animals, especially birds, so my home is full of pets who are treated like family members." More random facts on Sean? "I'm supportive, loyal, compassionate and giving - at times to a fault. I'm not overly emotional when it comes to my own life, but I turn into a complete sap when I see others experiencing pain or disappointment."
Explore his Photography click rSEANd Photography. Click Portfolio, Mayhem and Model Coast
Model: Diego Moran Photo: rSEANd Photography
"The one aspect of my personality that seems unbelievable to even those who are closest to me is that I am incredibly shy and insecure. I'm often told that I appear confident, but nothing could be further from the truth...at least on the inside."
Always Exciting. Always NEXT.
Always Exciting. Always NEXT.
